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“So long, nerds!” The Network-which-shall-not-be-named flips the bird to science fiction fans May 2, 2010

Posted by ce9999 in Caprica, Stargate: Atlantis, Stargate: Universe, The Sci-Fi Channel, Uncategorized.
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I came across this little item yesterday.  It’s a “must read” for those who enjoy what little quality science fiction programming occurs anymore on the Network-formerly-known-as-the-Sci-Fi-Channel:

So long, nerds!
[The-network-which-shall-not-be-named] doesn’t need you

Particularly worrisome is the news that the best shows on the channel are going to be moved from Friday night to Tuesday night, just so they can put Friday Night Smackdown on Friday night.  Having Caprica and Stargate: Universe on Tuesday is going to suck.

I figure this is the beginning of the end for that network. Or, perhaps more accurately, it’s chapter two or chapter three of the end. Stargate: Universe and Caprica will run their course, probably three seasons each, at which point the powers-that-be at the network will give us a song and dance similar to the cancellation of Stargate: Atlantis, that is, something along the lines of, “we think it would be a great idea to continue this, only as a sequence of individually released DVD movies instead of a weekly series.” Well, have there been any Atlantis movies? No? One is supposedly in the works, but at this point it seems to be entirely vaporware, and it was two years ago already when all of this was announced.

Supposedly they’re having difficulties on the money side of things.  In particular, the unexpected change in relative values of the American and Canadian dollars has made it more expensive to shoot in Canada now than, say, five years ago. Universe, however, is being filmed in Vancouver anyway, as is Caprica, so I am not sure if that argument holds water. [edit: looking back on this, I am no longer sure what my reasoning was for that statement…actually, it sounds as if I may have just been wrong outright…oh well…] Perhaps if they hadn’t made the mistake of canceling Atlantis, it would still be airing just fine and dandy! Ooops!

The thing is, although Atlantis sometimes ventured into the realm of brilliance, on the whole it was a show that never quite lived up to its potential, so I don’t bemoan the loss of it all that much. Mostly I miss David Hewlett’s performances, and I regret that, with its passing, the ratio of quality to crap on the network has gone down once again. Caprica and Universe, on the other hand, are both turning out to be pretty excellent programs.  If, perchance, either one of them was lost just so the network could experiment with new ways to make money, it would be a bitter pill to swallow.  All that would be left of quality science fiction television programming, in that case, would be Doctor Who.

Don’t get me wrong.  The network will still be there.  It will still exist as an entity.  It’ll just be focused on other stuff.   They’ll have to change the name again, too.  Just watch.

Universe casting suggestion! August 27, 2008

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At some point, the Powers That Be at Stargate Productions are going to be casting their new Stargate spinoff, Stargate: Universe. It’s been said by Sci Fi channel president Dave Howe that the hope is for the cast to be more “fresh faced.” I assume he means “fresh faced” in comparison to the casts of the previous two shows, which feature all sorts of dull, middle-aged people, several of them bald. I suppose we can’t have that if we’re wanting to appeal to 20-year-olds, can we? (sarcasm alert!)

Actually, accusing the Atlantis cast of not being appealing to a younger audience is kind of ridiculous. Take a look at the leads, and what do you see? A whole mess of very cool people, and with the possible exception of Robert Picardo, not one of them appears to be middle aged. David Hewlett and Joe Flanigan are both slightly over forty, but I never would have guessed that if I hadn’t looked it up. (I’m 40 myself, and I would love to be in as good a shape as Joe Flanigan!!) Jason Momoa, on the other hand, isn’t even thirty yet, and Jewel Staite is even younger than him.

Furthermore, why do media industry types insist on believing that the characters on a show have to be the same age as the audience? Who the hell came up with that, anyway? I know identification with a character is a big appeal, but it’s not necessary for the character to be the same age as the viewer in order for that to happen.

Example: The leading actors of the original Star Trek series were all older than the standard which the Stargate folks seem to be shooting for, and yet the show really took off in popularity in the 1970’s, with an audience that was mostly college students and younger at that time. DeForest Kelly was in his late forties when he first started playing Dr. Leonard McCoy, and I never once had any coolness issues with him. I was only nine years old when I became an avid Star Trek fan—do you suppose that’s youthful enough? Likewise, William Shatner and Leonard Nimoy were both closer to 40 than they were to 30, and I practically worshipped both of their characters. James Doohan was actually the same age as DeForrest Kelly. There weren’t any women in the lead roles of that show, but for primary supporting roles, Nichelle Nichols was one year younger than Shatner and Nimoy. All of them were mid-30’s or older when the show began.

To take a more extreme example, in the most recent season of Doctor Who, the coolest supporting character of the whole season is probably Wilfred Mott (played by Bernard Cribbins), more commonly known as Donna’s grandfather. He’s just a fun character, and it’s hard to imagine him not appealing to pretty much any age group. I’m not sure how old he is, but as the grandfather of a woman in her 30’s, that must mean he’s in his 70’s at least, right?

A counter-example: How did people react to Wesley Crusher when Star Trek: The Next Generation started? I remember wishing he would die, frankly. :) That character was sort of a blight on the show, although he did get better in later seasons, thanks to better writing and Wil Wheaton’s acting talent. My reaction to early Wesley was pretty typical, though. I was 18 or 19 when that show was first broadcast.

So, who says you need to have youngish characters to appeal to a youngish audience, and who says that if you do, it’s even going to work?

So here’s my casting suggestion for one of the male leads on the new Stargate: Universe program: Adam Baldwin!

He’d be an excellent choice. For one thing, he’s got a bit of history in the Stargate universe already, having played Col. Dave Dixon, the leader of SG-13 in the double episode “Heros.” He’s in his mid 40’s, which is probably older than what they’re thinking of, but on the other hand, he’s younger than the parents of the target demographic, by roughly a decade, which means he could easily play a mature, leader-type role without conveying an uncool level of parentalness. Casting him would also create an opportunity to set up some inter-team conflict between him and another, younger male lead. Baldwin is also funny. Not just a little funny either—he’s a lot funny. Just watch his previous appearance on SG-1, or his 14-episode stint on Firefly if you don’t believe me.

One slight problem is that he appears to already be cast in another series. Oh well. I still think I’m right about this.

Atlantis goes pay-per-view August 22, 2008

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I became aware earlier today that the Sci Fi Channel, MGM and Stargate Productions have mutually decided to end the television run of Stargate: Atlantis at the end of its current season.

Really, I shouldn’t be surprised about this, but I am. Does that mean I’m gullible? Well, yeah, but apparently I’m not gullible enough to qualify as a viewer that the Sci Fi Channel is interested in. They’ll be replacing Atlantis with a new show, Stargate: Universe, that’s specifically aimed at a “younger demographic.”

People, “younger demographic” is simply marketing double-speak for “people who are more gullible and susceptible to advertisements.” In other words, if this new show is aimed at you, it means the Powers That Be are assuming you are dumber and easier to sway than the current viewership of Stargate: Atlantis. Are you?

What’s also disturbing about this is the way Atlantis itself is apparently being switched over to “pay-per-view” status. No, it won’t be like regular PPV. You will actually have to go to a store and buy a DVD, or use whatever other means they might offer for getting your money (iTunes, for instance). But paying is paying, regardless of the means of delivery. Right now, you can watch Atlantis for free. Next year, you won’t. What’s more, I think they are doing this specifically because they believe Atlantis is at a popularity peak right now, that it can only go downhill from here, and furthermore, why should they continue to allow people to watch the show for free when they can replace it with a more profitable show which will probably cost less to produce, which will also appeal to a more desireable demographic, while still popping off the occassional Atlantis “movie” to rake in a few bucks on DVD sales to boot? To summarize, we, the viewers of Atlantis, are being ripped off precisely because we made this show as successful as it is.

What are my sources for these allegations? The changes have been documented with multiple articles on Gateworld, with the one of primary interest being “Wright: Atlantis is going out on top.” This quote is of particular interest:

The decision to end Stargate Atlantis and jump to the movie format was made mutually by the SCI FI Channel, MGM, and Stargate Productions in Vancouver, executive producer Brad Wright told GateWorld today. Rather than canceling the show because of under-performance, the Powers That Be decided to go out on top while Atlantis is still popular enough to support the release of DVD movies.

See?

However, there is a potential positive side to this. While I’ve seen some concern expressed that the new Stargate: Universe show will end up being nothing more than the Stargate remake of Star Trek: Voyager (credit goes to Glenn H for that idea), it seems that the creators of the show are aware of some of the concerns I previously mentioned on this blog. An article entitled Stargate Universe Has A Go! states:

The show will be “a little more character-based, a little less rooted in a sci-fi mythology,” co-creator Brad Wright told GateWorld. “It really does come down to characters and stories that are engaging, and that people want to see — that they feel like they haven’t seen before.”

I’m not sure what Wright means about “rooted in sci-fi mythology”, but I do like what he’s saying about making the show more character-based, provided they don’t end up with a bunch of squeaky-clean noobs like on the first couple of seasons of Star Trek: Voyager.

The other problem with that show’s initial seasons was pretty simple too: the villians were boring. Remember the Kazon? No? I’m not surprised. Theoretically, they could have been interesting, but in practice, I groaned painfully at their every appearance on the show, and jumped for joy when Janeway and the crew finally got their asses out of that sector of the galaxy. The Wraith are somewhat better, but not a lot, and I’d consider them to be one of the primary flaws of Atlantis as a series. If Universe is to succeed, they really need to work on the bad guys. Look back at Apophis and Ba’al, and tell me I’m wrong.

I admit, I’m already wondering who they’re going to cast on Universe. They’re aiming for a younger demographic, so there’ll probably be some 20-something male heartthrob in the lead. Zac Efron, anyone? He’s 21 now. Heheheh. (I suppose I should shut up, before somebody gets the idea to do High School Musical In Space!….)

All in all, if Universe turns out to be a better series than Atlantis, then I’ll probably be ok with this. There is one thing, however, which will disappoint me, even if that happens: Robert Picardo will only have one season to really show his stuff.

Atlantis: A Question of Character July 29, 2008

Posted by ce9999 in Stargate: Atlantis.
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The other night I watched the latest installment of The David Hewlett Show Stargate: Atlantis, the episode entitled “Broken Ties.” This is the third episode of the new fifth season. I’m glad that these new episodes are being aired now, because with Doctor Who and Battlestar Galactica on hiatus, I’d be in a real pickle otherwise. Who knows—I might actually have to go outside, or meet some people or something!

On the other hand, Atlantis has never been a top-tier show for me, especially when compared to these other shows, or even to its parent series, Stargate: SG-1. I don’t think it has (so far) lived up to its potential, for a number of reasons. The main reason has to do with character, and this last episode just happened to bring the issue to the forefront of my mind.

In the episode, the question was raised whether Teyla, after the birth of her baby a couple of episodes previously, would be returning to “the team” [1]. As she hemmed and hawed about this question, I surprised myself by hoping that she would decide not to return, but instead would stay on the Atlantis station in some sort of advisory capacity or something. In other words, while I didn’t want to see Teyla removed entirely from the show, the prospect of integrating a new team member seemed more interesting to me than simply having her carry on as before.

Why? Well, I really do hate to say this, but, over the first four seasons, and even so far this year, she just hasn’t turned out to be a very interesting character. It seems like she hasn’t changed one iota since the very first season, and frankly, I’ve virtually lost interest. This recent development with her partner and her having a baby, it reminds me of Will Riker cooking omlettes for Enterprise crewmates on Star Trek: The Next Generation so many years ago: an obvious attempt to add “dimension” to an otherwise flat character, without taking the apparently forbidden risk of having real character development. It’s more tedious than interesting.

I could say similar things about many of the characters on Atlantis. Take Sheppard, for instance. The most interesting thing that ever happed to him was the one episode where he turned into a bug (“Conversion” in season two). Sure, this was an amusing story, and I imagine the ghost of Franz Kafka got a chuckle or two, but imagine how much better this episode could have played if only we had cared deeply about Sheppard as a person. “Ohmygawd! He’s turning into a bug!!!!! This is horrible!!!!!!!!!!!!!!!!!1!!!!1!” But no—it was more like, “Ha! He’s turning into a bug. Cool. This should be good. Hey—you got any more potato chips over there?” The writers have continued this pattern throughout the series. Once and a while, Sheppard is put through some sort of ordeal, presumably to give him “depth”, but really they’re just giving us more omlettes.

Carson Beckett is like this too. He’s very likeable guy, but I admit I didn’t feel much regret when he once again left the show at the end of last week’s episode “The Seed”, and I don’t find myself caring very much whether they bring him back.

This flatness of character is a systemic problem with the show. To take the Beckett example a bit farther: His character was originally killed, it was only later that they pulled a Mr. Spock on him and brought him back. So let’s compare his death to Mr. Spock’s death. When Mr. Spock died at the end of Star Trek II: The Wrath of Khan, people cried. Seriously. I had to struggle with every fibre of my being to avoid crying openly in the theater (as a teenager, I would have felt like a complete ass if I cried, even if nobody noticed). When Carson Beckett died, well, I did feel bad. There may have even been a tear. I mean, he really is a nice guy, you know? His dedication to his profession is more than admirable—he’s a genuine hero. However, while his death actually did suck, there wasn’t much to it beyond that. This was not epic tragedy the way Spock’s death was. Another good comparison would be to Daniel Jackson’s death/ascension on SG-1. That really hurt, and the fact that he was supposedly still around as some sort of mystical energy-being was no consolation at all. It would have been the same for any member of the SG-1 team. I loved those guys! They were the best! However, with the possible exception of Rodney McKay, I have never had that depth of feeling for any character on Stargate: Atlantis. I doubt that I am the only one who feels this way. Why is this so? Because the characters just don’t inspire that much feeling.

Replacing Teyla with a new team member might not have helped, of course. The last new person on the show was Dr. Keller, and where has she gone so far, as a character? Almost nowhere. Just as with Sheppard, the most interesting thing to happen to her is getting transformed into a bug. Ooops, I mean a giant tentacled creature. Whatever. (Does it really matter?) This happened in last week’s episode, “The Seed,” and, in fact, that story was even worse for Dr. Keller than Sheppard’s bug-guy transformation, because in “The Seed”, an episode revolving entirely around her, she spends the majority of her screen time unconscious!

I know full well that Jewel Staite can do more than what is being asked of her, too. Her completely delightful portrayal of Kaylee on Firefly was a highlight of that series—she stood out even though she had to compete with eight other well developed characters, and even though there were only fourteen episodes finished before the series was axed. But the character she’s playing on Atlantis doesn’t stand out much at all. I have to admit, if I wasn’t such a Jewel Staite fan, I doubt Dr. Keller would have made any impression on me. I actually had to look up her name for this article because I couldn’t remember it, in spite of the fact that she’s been on the series for a whole season already.

However, I do have a couple of reasons to maintain hope. The first is that Dr. Keller is still fairly new. Even though she’s been around a whole season, and even though her most significant moment during that time was her metamorphosis into a giant seaweed monster, it is still possible that some evolution could happen. She doesn’t yet have four seasons of inertia holding her back like some of the other cast. The writers might go with idea of hooking her up with Dr. McKay, for instance. Anything involving Rodney McKay is probably a good idea, so that is a ray of hope. I also know that, if there’s any shred of interest to be found in the Dr. Keller character at all, Jewel Staite will find it, if only the writers and directors give her the chance. She’s also got star billing now, her face right up there in the main titles with all the others. Can this be an omen of things to come? I hope so.

I’m being pretty so critical of this show, but the truth is that I really do enjoy it. I wouldn’t bother with all of this if I didn’t care. But, to lighten this up a bit, I’ll finish with a new development which I think is quite promising: Robert Picardo’s addition to the cast.

Those faithful Trekkers who, like myself, suffered through the first couple of seasons of Star Trek: Voyager will probably recall Picardo’s portrayal of The Doctor as one of the bright spots of that dreadfully dull early period in Voyager history. It’s for this reason, and for his previous appearances on the Stargate shows, that I was very happy to see him included as one of the regular cast on Atlantis, even if it meant losing Samantha Carter.

(I know a lot of people are not happy about Carter leaving. However, as much as I like Carter, I’m not inclined to agree that her leaving the show is necessarily a bad thing. That, however, is a whole other topic, one which perhaps deserves a post of its own someday.)

Like Carter, Richard Woolsey comes with some predefined developmental background, although not nearly as much as Carter did. Woolsey was one of the more enjoyable antagonist guest characters on SG-1. He first appeared as a butt-clenching bureaucrat sent to sabotage the entire Stargate program through procedural means. It didn’t work, not because he failed in his mission but because he changed his mind about the program. That right there was the beginning his evolution into someone interesting, and a sign that he wasn’t going to be a one-dimensional villian like Senator Kinsey or Apophis. A one-dimensional villian can be entertaining, sure, but given a choice, I’ll take a fully fleshed out antagonist just about every time (Peter Williams’ excellent portrayal of Apophis notwithstanding).

Woolsey has some qualities similar to General Hammond, who also came to SG-1 in a somewhat antagonistic capacity (although Hammond was obviously never intended to be a real antagonist). Like Hammond, Woolsey can be swayed through reason, and will even occassionally break the rules for the greater good. He also has a hard-nosed side, so he can make the tough calls when he needs to. On SG-1, he abandoned his prejudices about the Stargate program, and ended up becoming a firm believer in it and the members of the SG-1 team (just as Hammond learned to trust the intelligence and integrity of Daniel Jackson, who he was pretty skeptical of at first). That sort of attitude change isn’t just gratifying, it’s interesting. Furthermore, unlike Carter, who’s a character of action, thriving on movement and mission, Woolsey is entirely a thinker, a decider, a manager. Where Carter would carry out a mission, Woolsey would produce a mission statement. He’s the kind of guy who could be your boss at that cushy desk job you want so much (and you’d be lucky to have someone as fair-minded as him, too). Perhaps most promisingly, although Woolsey does have very strong desk-jockey tendencies, it’s already obvious that in order to be effective as the leader of the Atlantis team, he’s going to have to grow beyond that, to acquire a bit of that movement and mission quality that Carter possesses.

It all sounds perfect, doesn’t it? Everything is set up just so: We’ve got a moderately developed and fairly interesting character in a position where he’ll have to develop some more if he wants to succeed at his job. The question now is, will the writers take this ball and run with it? We can only wait and see. So far, Picardo himself seems to be making the most of the opportunity he’s been given. Witness the little moment in this most recent episode where Woolsey couldn’t figure out how to get the conference room doors open. It wasn’t just played as a matter of technical ineptitude, but also as an element of his larger struggle to earn the respect of the team. He’s frustrated that the team doesn’t yet respect him to the degree that he would like, but he’s not simply throwing his authority around to gain that respect. He genuinely wants Sheppard and the others to respect him, and he wants to earn that respect fairly. He wants to deserve it, without compromising his authority, and this goal is important to him. Using the door-opening problem to illustrate this was a welcome detail, and a sign (I hope) that he will end up being more than just a cardboard cutout character. Yes, I’m definitely looking forward to seeing what happens with Woolsey.

——-
[1] By the way, why doesn’t “the team” have a name? SG-1 had a name. Shouldn’t Sheppard’s team have a name too? Or at least an official designation of some kind???

Back July 28, 2008

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Well, I’m back.

What can I say–I didn’t intend to be gone this long, but on the other hand, I wasn’t sure if I was ever going to come back. Some things went pretty wrong a few months ago, and only recently am I starting to feel the creative juices flow again.

My plan to analyze the entire Stargate: SG-1 series is on indefinite hold. In fact, that project may have proven to be too ambitious. It seemed like a great idea, but SG-1 is a HUGE series, and as I got into the process of writing about the episodes in the first season, I found myself not wanting to spend time writing when I could just go ahead and watch the next one. This is commonly known as “lack of self discipline.” I also found myself wanting to delve into more and more detail about each episode, so what started as a general summary of the series was evolving into a full-fledged episode guide, for a series with over 200 episodes. Yikes. So I got farther and farther behind. I even started watching season two, thinking I could get caught up any old time. That was wrong. Before I knew it, I was hopelessly behind. This was also about the time that the new seasons of Battlestar Galactica and Doctor Who were getting into full swing, and the prospect of trying to keep up with both of those shows, plus get caught up on my SG-1 project, it was just too much. So I tabled this whole idea for a while.

In my absence, I ended up skipping the entire fourth season of Doctor Who, which is unfortunate, because there’s a lot that could be said about it. There’s also Battlestar Galactica‘s fourth season. Wow. And that was only half a season. Of course I can always come back to these later. Regarding Galactica, I’ll just say for now that I think the revisioned series is turning out to be the finest program in the history of television. I’m not really qualified to say that, mind you, since there are way too many shows I haven’t seen. But if there’s a show out there that’s as good as this one, I’d sure love to see it. (Ok, one more thing–is it just me, or was there a marked upward jump in the quality of this already-excellent show at the point when Jane Espenson came onboard?)

Today I started work on an article pertaining to Stargate: Atlantis, particularly some of the developments in the new season. The article is going well, although it still needs some polishing up. That should be ready for publication sometime very soon, maybe even tonight.

I am also going to be broadening the focus of this blog a bit. My initial idea was to limit myself to “Television Sci Fi” programming. However, I have to admit, there are some movies I’d like to mention on here from time to time as well. There’s also the question of that “science fiction” parameter, which I wondered out loud about when I first started this blog. There’s some very imaginative work out there that is well worth talking about, but which doesn’t exactly fit into the proper realm of “science fiction” at all. The new theatrical release Hellboy 2 is one example. But there are others, even farther afield than that. Take David Lynch’s masterpiece Mulholland Drive, for instance. In no way could this movie be considered science fiction (unless you have developed an entirely new take on it, in which case, feel free to tell me about it), but it’s certainly imaginative. And I do like that word, “imaginative.” So. “Imaginative fiction” it is. Seems like a good topic for discussion, no? However, the emphasis will still be on science fiction, since that’s really where my heart lies.

Finally, I want to close by posting something which really helped to motivate me to get back on track with this. This is an interview with Wil Wheaton, done at ComicCon. It’s quite interesting. Wheaton is an interesting guy, and he says a thing or two here which I really appreciate, in particular some advice he offers towards the end of the interview, intended for aspiring internet writers. It occurs to me that his advice applies to people with other creative inclinations too. That means me, since I’m also struggling with various photography and music projects, in addition to writing. Anyway, here is the whole thing. Enjoy!

The Nox, Hathor, Cor-Ai March 8, 2008

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Friday night, I continued my SG-1 marathon with three more episodes.

The first of these was “The Nox,” a truly fascinating episode, and one of the best in the entire ten-year run of SG-1. Aside from being brilliant and very enjoyable, it lays some groundwork for a lot of what happens in the remainder of the series. Although the SG-1 team members don’t know it yet, this is their first face-to-face encounter with one of the four ancient races, who will play (to varying degrees) such an important role in their mission in the years to come. It’s also the first indication we have that the U.S. government isn’t entirely satisfied with the performance of the SG-C, a fact which will lead to all sorts of interference, oversight and outright shennanigans by a variety of other people, continuing even to this day on Atlantis. We also begin to get a sense in this episode of just how wily and challenging an opponent Apophis will be, when SG-1’s straightforward and simple plan to capture him ends up with O’Neill, Carter and Jackson all getting killed. If it wasn’t for the extremely sophisticated healing abilities of the Nox, the series would have ended about ten minutes into this episode.

Of course the Nox are the main point of this episode, so let’s talk about them a little. There are four of them shown, and their leader is played by none other than Armin Shimerman, of Star Trek: Deep Space Nine and Buffy the Vampire Slayer fame. Casting him in this episode was a stroke of genius, because the character Anteaus is such a marked contrast to Shimerman’s well-known roles in the other two series, and it’s always a pleasure to see a good actor do something different from what he’s done before. He’s just delightful here, managing to quietly eclipse much of his more well-known work in what must be only fifteen or twenty minutes of screen time.

The other Nox character to play a major role is Nafrayu, the cute little Nox kid, played by Addison Ridge. Observe Carter’s expression when she looks at him, as if she’s never seen anything so adorable in her entire life. Can you blame her? My favorte of the other Nox, though, would have to be Lya, played by Frida Betrani. She’s a sweetie. Pretty, too. :) I am quite infatuated with her, I admit—this is why I’m saying such totally unprofessional things. ;) She is the only one of the Nox ever to appear on the series again, after this episode. I had high hopes that they would play an important role in the series, but only Lya comes back a couple of times, very briefly. This is very disappointing, because the Nox are an uncommon thing: an advanced alien species who actually seem advanced and alien. This makes them extremely interesting.

Apophis also plays a major role in this episode. In fact, is there any other episode in the series where he is “in play” as much as he is here? Not very many of them, that’s for sure. Peter Williams is still starting to get into the Apophis character at this point—later on, he gets better and better at it, until, eventually, the very sight of him makes a person want to scream in frustration. He’s the second best of all the Goa-uld to ever appear in the series, I think, bested only slightly by Cliff Simon’s hilarious, frustrating and brilliant portrayal of Ba’al, much later in the series.

In other matters, I must point out how much I enjoyed the musical score in this episode. I’ve noticed that, in general, the quality of the incidental music this season is pretty high. This is important to me, personally, so I thank the composer(s) for their efforts in these episodes, as well as the people who had the sense to hire decent composers in the first place.

In the realm of trivia, we see SG-5 briefly at the beginning of the episode, and I noticed that all of the Jaffa in Apophis’s personal guard are sporting gold forehead tattoos identical to Teal’c’s. This once again contradicts the idea that only first primes have gold emblems. I suppose it’s realistic to assume that different system lords would have different, um….systems to their Jaffa insignia, since they certainly would not be interested in trying to standardize something as trivial as this. After all, they have much more important concerns, such as how to kill all their rivals, live forever, and achieve domination of the galaxy. :P

I mentioned I watched two other episodes Friday: “Hathor” and “Cor-Ai.”

“Hathor” was better than I had remembered. I believe there are some inconsistencies between what’s presented in this episode and what comes later on, both with respect to the creation of the Jaffa, and to Goa-uld reproduction. It’s been a long time, though, so I will have to wait and see. The most enjoyable thing about this episode to me was Suanne Braun’s portrayal of the “goddess of sex, drugs and rock-n-roll”, Hathor. She’s just plain hot, in a beautiful, sensual, sultry and full-hipped way. I love it. :) It must also be said that Carter and Dr. Fraiser both kick a lot of ass in this episode. Indeed, this episode is all about the girls, since the boys end up spending most of their time in pheromone-induced thrall to Hathor.

“Cor-Ai” is a really good Teal’c episode, and pretty excellent in general. I really enjoy how it deals with questions relating to guilt, innocence, forgiveness, redemption, victim’s rights, the burden of punishment of a criminal, and so on. It’s quite fascinating. Briefly, some background: During the 1990’s, a hot political issue in the U.S. was the question of victim’s rights, namely the belief that the rights of the accused were being accorded too much weight by our legal system, and that this needed to be corrected in favor of victims of crimes. This episode hypothesizes a rather extreme solution to the problem, namely a legal system where the trial itself is controlled by the victim, who is also responsible for determining and carrying out the sentence. On the surface, it seems like a hopelessly barbaric way of doing things (at least it does to me, civil libertarian that I am), but the episode is written intelligently enough so we see that it wouldn’t really be that simple…although I still much prefer the American way of doing things. This episode is what science fiction is all about: using the story in a way that’s not only relevant to the complexities of the real world, but doing so thoughtfully, so that the viewer is actually drawn into thinking about an issue in a new way.